Gravity Receives Raves from Venice Film Fest

There are only five weeks left before Alfonso Cuaron's Gravity hits theatres and the early word from critics at the Venice Film Festival is that it's a sure-fire hit. Test screenings that took place last year were also positive, but know that the film is complete the good word has turned into universal praise from all that have seen it.

The critics are in agreement that Gravity is a technical marvel thanks to some stunning camerawork from cinematographer Emmanuel Lubezki (Tree of Life) that could warrant a trip to an IMAX theatre near you. It's not just the cinematography and effects that are drawing good word though, Sandra Bullock's performance as Ryan Stone is right up there as a career best.

Varietys Justin Chang said:

"Suspending viewers alongside Bullock for a taut, transporting 91 minutes (with George Clooney in a sly supporting turn), the director’s long-overdue follow-up to Children of Men is at once a nervy experiment in blockbuster minimalism and a film of robust movie-movie thrills, restoring a sense of wonder, terror and possibility to the bigscreen that should inspire awe among critics and audiences worldwide."

HitFix's Guy Lodge:

"Certainly, the unfeasibly mobile camera of Cuarón’s loyal, invaluable cinematographer Emmanuel Lubezki seems drugged – or perhaps purely entranced – by its possibilities, gliding and weaving across seemingly impracticable distances with a deliberate fluidity that no previous screen depiction of weightlessness (whether in outer space or the subconscious hotel suites of Christopher Nolan’s mind) has come close to approximating. "

My favorite reaction to the film comes from Empire's Nick de Semlyen:

"Now that the embargo is up, I can say what Jaws did for water, Gravity does for air."

If that doesn't sell you on the picture, I don't know what will.

Gravity hits theatres in IMAX 3D on October 4th.

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9) Up A beautiful tale that entrances all ages, Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White or: How I Learned to Stop Caring and Ignore the Troll

Whether it is his glowing review of Norbit , his thrashing of Toy Story 3 , or just his general pompousness, you are aware of Armond White. His dismissal of Toy Story 3 came at a convenient time when the film was sitting pretty with a perfect score on Rotten Tomatoes. "But Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination—the usefulness of toys—and strictly celebrates consumerism." A claim that could have been taken at face value had he not followed it with this sentiment " Transformers 2 already explored the same plot to greater thrill and opulence." I am sure if one were inclined to interview Michael Bay at his most enlightened he would have never crafted an answer that insightful regarding hidden parables in his Transformers vehicle. White was at his most incensed when forced to sit down and type out his thoughts regarding Precious , but praised Norbit for its reflection o

Never Mind Pop Film

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