Skip to main content

Review: Mud




A little over two years ago, Matthew McConaughey came out in The Lincoln Lawyer and started the road to repairing his reputation as an actor. He followed up that good word with other critically appreciated performances in Killer Joe, Bernie and Magic Mike. The man known for being shirtless in romantic comedies has reinvented himself as a leading man with a knack for good material again. When it was announced that he would lead Jeff Nichol's follow-up project to Take Shelter, Mud became a must see picture of 2013.

Ellis (Tye Sheridan) and Neckbone (Jacob Lofland) don't have much to look forward to in DeWitt, Arkansas, life on the river is dying and they are at the age where girls aren't interested in them. A boat in a tree poses new opportunities, though, something they can lay claim to. The only problem is someone is living in it.

He goes by Mud (McConaughey) and, at the moment, he's living on nothing but beanie weenies. His possessions are few: one gun and a shirt he believes to be lucky. Mud tells the boys he is waiting on a woman to meet him there on the island, and he won't be leaving without her. Something in Mud's voice when he says her name inspires Ellis. His own concept of love is on the ropes as of late and Mud's optimism gives Ellis hope for his own life. Neckbone has his doubts about a man living on an island on his own accord, but Ellis is eager to help him piece together a way to leave with Juniper (Reese Witherspoon).

The more information comes to light about out Mud, concern grows that Ellis is blind to the danger that the man poses.

On the surface, Mud would seem to be a vehicle for McConaughey, but the focus is placed predominantly on the two boys. Director Jeff Nichols drew excellent performances out of Michael Shannon and Jessica Chastain with Take Shelter and he continues that trend with Mud. Sheridan and Lofland manage to glide that shaky line of child performances that blends naivete, without going into overly saccharine territory.

McConaughey covers his natural charisma in a thin layer of grime and dirt that obscures his classic movie star good looks, but not his folksy charm. That the audience is constantly guessing just exactly what the man is capable of is a testament to the actor's abilities. The McConassaince has officially come full-circle.

Mud is only Nichol's third film, but he is very quickly becoming a singular voice in a new generation of auteurs. Filming on location in the south gives Nichol a canvas to work from that highlights the, sometimes, obsessive way we live our lives and knowing when to walk away from it.

***1/2 out of ****

Popular posts from this blog

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9)  Up A beautiful tale that entrances all ages,  Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White or: How I Learned to Stop Caring and Ignore the Troll

Whether it is his glowing review of Norbit , his thrashing of Toy Story 3 , or just his general pompousness, you are aware of Armond White. His dismissal of Toy Story 3 came at a convenient time when the film was sitting pretty with a perfect score on Rotten Tomatoes. "But Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination—the usefulness of toys—and strictly celebrates consumerism." A claim that could have been taken at face value had he not followed it with this sentiment " Transformers 2 already explored the same plot to greater thrill and opulence." I am sure if one were inclined to interview Michael Bay at his most enlightened he would have never crafted an answer that insightful regarding hidden parables in his Transformers vehicle. White was at his most incensed when forced to sit down and type out his thoughts regarding Precious , but praised Norbit for its reflection o