Skip to main content

On Netflix: Hugo

Thinking of Martin Scorsese, the top five pictures that came to mind are probably violent. The living legend of cinema has made his name on gangster films such as Mean Streets, Goodfellas, Casino, Gangs of New York and The Departed, but a tale about an orphaned child in Paris wouldn't seem to be his forte. After watching Hugo, you'll know that assumption was wrong.

Scorsese's enthusiasm for the material waves a kind of spell over the audience. Aided by an excellent cast led by the vastly underrated Ben Kingsley and the two young leads (Asa Butterfield and Chloe Grace Moretz) with a great deal of potential. The director has a talent for drawing the best out of actors and he surprises no one in doing so again. What is surprising is the technical proficiency with which Scorsese wields 3D cameras. He doesn't go for the gimmicky shot, every sequence serves the story and dazzles simultaneously.

Hugo is part fiction, part history of film, and also a wonderful fantasy. Over his fifty year career, Scorsese has turned in one great film after another, and Hugo will most definitely be included in that class.

Watch Hugo and other movies on Netlflix today by signing up for one of many bt broadband packages.

Popular posts from this blog

Review: Anomalisa

Weird is rarely used as a good quality in film criticism, but few words so completely describe Charlie Kaufman’s work as weird does. All of his films are a window into his very particular worldview, and that p.o.v. is certainly unlike anything seen in pop culture. For that reason, Anomalisa became an entry on many most anticipated lists for 2015. That Kaufman chose stop-motion to tell this story made the picture an event. So it came as a disappointment when the film was one of the year’s more mundane efforts.

Being John Malkovich and Eternal Sunshine of the Spotless Mind have an energy and heart at the center that is not present here. Previous collaborators like Spike Jonze and Michel Gondry were able to temper the overwhelming negativity Charlie Kaufman occasionally falls prey to, but, this time, the writer doesn’t have a director to rein things in. In all of his efforts to create an experience that is both familiar and alienating, Kaufman may have accidentally created something host…

Review: Selma

It may surprise many that Martin Luther King Jr. never received the celluloid treatment prior to Selma. Sure he had been mentioned in other historical pieces, but short of documentary footage, King was never given center stage. Quite shocking given the man's legacy and the lingering effect of his efforts still felt today. Several years of production and a director change later, Selma arrives as the film worthy of the man.

Review: The Salvation

Westerns have never recovered from the oversaturation that killed off viewer interest decades ago, but every now and then a gem pops up. Recent successes like The Assassination of Jesse James by the Coward Robert Ford, 2007’s 3:10 to Yuma and the Coen brothers adaptation of True Grit all did well because they tweaked the genre slightly, but director Kristian Levring goes with an old school approach. A faithful recreation of those revenge Westerns made so popular in the 1970s, The Salvation envelopes many elements of previous Clint Eastwood classics and wraps it into a tidy package.

The Salvation starts in on the central dilemma, joining Jon (Hannibal‘s Mad Mikkelsen) at the train station where he awaits the arrival of his wife and son. Jon and his brother, Peter (Mikael Persbrandt), have lived in the United States long enough to build a hospitable life for their family back in Denmark. This homecoming should be a sweet moment to establish the family important to Jon, but fate plays out…