The Year of Nostalgia (Best Films of 2011)

Nostalgia hurts, so it came as a surprise that so many films this year were aimed at people opening old wounds and experiencing the joys of childhood again. Hugo mystified many this year and The Artist recreated a whimsical feeling in moviegoers that had gone unfelt since the likes of Charlie Chaplin and Buster Keaton. Extremely Loud and Incredibly Close made us wish for the innocence of a child before the fateful morning of September 11th. Midnight in Paris reminded us that nostalgia of an era we never lived in is just sentimentality.

But it wasn't just nostalgia for another time, it was for any semblance of normality. A return to a time when raising a family wasn't so damn hard. When your rivals couldn't simply outspend you. When your friend getting married didn't mean that she had to move away. When cinema could help audiences forget the troubles of the world. Few films have touched upon wish fulfillment in bulk the way that this year has. Even few have done so as well as Take Shelter, if there is a film that can better embody the feeling of the average family trying to pull through a recession, I never found it.

A lot has been said about 2011: that it doesn't compare with 2010's class of films; that is was weak; that it didn't have any heart. At the end of the day I would put this year up against any. It reminded us of a time we all longed for.

Colin's Top Ten
10. Bridesmaids
9. The Guard
8. 50/50
7. The Descendants
6. Hugo
5. Moneyball
4. Drive
3. Win Win

2. Jane Eyre

1. Take Shelter

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9) Up A beautiful tale that entrances all ages, Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White or: How I Learned to Stop Caring and Ignore the Troll

Whether it is his glowing review of Norbit , his thrashing of Toy Story 3 , or just his general pompousness, you are aware of Armond White. His dismissal of Toy Story 3 came at a convenient time when the film was sitting pretty with a perfect score on Rotten Tomatoes. "But Toy Story 3 is so besotted with brand names and product-placement that it stops being about the innocent pleasures of imagination—the usefulness of toys—and strictly celebrates consumerism." A claim that could have been taken at face value had he not followed it with this sentiment " Transformers 2 already explored the same plot to greater thrill and opulence." I am sure if one were inclined to interview Michael Bay at his most enlightened he would have never crafted an answer that insightful regarding hidden parables in his Transformers vehicle. White was at his most incensed when forced to sit down and type out his thoughts regarding Precious , but praised Norbit for its reflection o

Never Mind Pop Film

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