Skip to main content

From Ahnuld to Actor: The Transition of a Former Action Star


Maggie pits Arnold Schwarzenegger against zombies, but not in the way you’d expect. The titular character (Abigail Breslin) is infected, but Wade (Schwarzenegger) isn’t driving into the city to put down the zombie threat, he’s bringing his daughter home before the disease reaches its inhumane conclusion. Protocols are implemented to keep the virus contained to the small midwestern town, but doctors set aside regulations to let Wade spend time with his daughter before she is sent away to the quarantine zone.
The stage of Maggie’s infection is still in its infancy, but any sign of worsening symptoms will get her sent straight to a quarantine area. Wade’s second-wife (Joely Richardson) has sent her children to stay with family outside of town, so it’s just the three of them in a makeshift farmhouse as they wait for inevitable to come. Zombie films often rely on global catastrophe for stakes, but a family awaiting is the kind of tension that all viewers can relate to. Fans hoping to see Arnold buckle down with a shotgun and take on the entire zombie apocalypse might be disappointed, but this picture has ambitions beyond being another run-of-the-mill schlockfest, Maggie serves as an intimate two hour movie about a father losing his daughter amid the zombie apocalypse.

Comments

Popular posts from this blog

Solo: A Star Wars Story

Viewer: Han, bubbe, you don't have to explain every small detail of your backstory that was mentioned in the original trilogy.
Han: I was named Solo by an Imperial recruiter.
V: Wait, didn't you detail your father's entire career building Millenium Falcons? How do you not know your last name?
H: ...
V: ...
H: There's a prequel cameo in the third act.
V: Yeah, I'm just going to go ahead and leave, alright?
H: I have a good feeling about this.

Herman Melville and Office Space

Just from gleaning the surface of Office Space one would assume that there isn't anything simmering below the surface except for a raunchy work-comedy, but they would be wrong.
After the harsh critical reception of his greatest work Moby Dick Melville wrote a collection of short stories called Bartleby and Benito Cereno perhaps the greatest slam at the time against industrial America. Bartleby is the story of a Wall Street copyist who has his three employees proof-read and copy law forms. Shortly into the story Bartleby starts responding to work commands with, "I would prefer not to." Frustrated by his employee's subordination the Narrator tries to have him fired but Bartleby refuses to leave the office. The Narrator comes back the following morning to find Bartleby living inside his office. Bartleby becomes increasingly less apt to perform basic functions as eating after he is jailed for trespassing and dies in a jail cell. What at once starts out as a comedy has …

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious.
Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully.
Let us begin with the primary claim—Inception stole the idea of a dream machine from Paprika. It …