Skip to main content

"Have a Good Day."

Frank comes downstairs after a very heated argument and - much to his surprise - April has breakfast waiting for him. She has forgiven him. Or so he thinks.

Sam Mendes' tale of domestic drama entails many betrayals. The most important being trust. April (Kate Winslet) believes Frank to have betrayed her trust. In fact she knows it. His promises of leaving their quaint and cozy existence on Revolutionary Road have all turned out to be lies.

 What she is really about to do will rock his existence. Winslet's performance during this scene alone should have warranted her Best Actress Oscar. The way her eyes embody the solemness of the scene is beyond words. We know something is wrong, but we have no idea how bad.

Popular posts from this blog

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious.
Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully.
Let us begin with the primary claim—Inception stole the idea of a dream machine from Paprika. It …

Review: Anomalisa

Weird is rarely used as a good quality in film criticism, but few words so completely describe Charlie Kaufman’s work as weird does. All of his films are a window into his very particular worldview, and that p.o.v. is certainly unlike anything seen in pop culture. For that reason, Anomalisa became an entry on many most anticipated lists for 2015. That Kaufman chose stop-motion to tell this story made the picture an event. So it came as a disappointment when the film was one of the year’s more mundane efforts.

Being John Malkovich and Eternal Sunshine of the Spotless Mind have an energy and heart at the center that is not present here. Previous collaborators like Spike Jonze and Michel Gondry were able to temper the overwhelming negativity Charlie Kaufman occasionally falls prey to, but, this time, the writer doesn’t have a director to rein things in. In all of his efforts to create an experience that is both familiar and alienating, Kaufman may have accidentally created something host…

The Dream Is Real

For my money there is nothing cooler than the idea of a city folding in on itself.