Skip to main content

Review: Ponyo

Ponyo is an imaginative retelling of Hans Christian Andersen's The Little Mermaid. Set in a Japanese harbour town, the film follows the story of Sosuke, a five year-old who finds a mermaid while playing in the ocean. Ponyo quickly takes a liking to Sosuke, but her father doesn't want her to spend time with humans. He retrieves her and takes her back to his underwater house. Ponyo then decides that she would rather be with Sosuke, and returns back to the human world.

The artwork in the film is superb. In an age of pixel perfect Pixar productions, it's nice to see such high production quality out of a traditional hand-drawn animation film. The forces of nature are shown to dominate human culture. This is a common theme in Japanese art, an example of which is this iconic Ukiyo-e woodblock print, The Great Wave off Kanagawa.

In the film, a combination of the human's mistreatment of the sea, and Ponyo's ascension out of the ocean has put the natural world out of order. The Moon is gradually falling out of it's orbit, so the tidals forces are much larger. Because of this, the water level rises drastically, totally engulfing Sosuke's small town. With the help of Ponyo's magic, she and Sosuke explore this newly aquatic world together. All of the town's residents pull together and are positive about the ongoing disaster, which only Sosuke and Ponyo can put an end to.

It's an extremely enjoyable film. My only gripe is with the casting of the English language version voice over actors. It appears that the Disney corporation chose who would do these voices, as a Jonas brother and one of Billy-Ray Cyrus' offspring provide the voices for Sosuke and Ponyo. The actors did a decent job, but still tainted the film with the taste Disney's pablum culture. Regardless, it is one of the best animated films of the year.

Popular posts from this blog

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9)  Up A beautiful tale that entrances all ages,  Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White's Top Ten Films on Flickchart

Armond White is film criticism’s most famous contrarian. At one moment he writes  a review declaring  Toy Story 3  to be the most obscene excuse for toy commercials  he has ever watched, and then two weeks later types out  a glowing review of  Resident Evil: Afterlife . He is of split-mind for sure. But what does his Flickchart look like? Read the rest at Flickchart !